Tuesday, July 25, 2017
This & That, Late July '17 Edition
In the studio, they would set up back-to-back and just begin playing. Every session was recorded and when the keyboardist went back to listen, he had a lot of fine interactions. So much so, that Sunnyside released "Riding The Moment" in 2015. Now, the label has issued "Expedition" and it's even more fascinating and exploratory than the duo's debut. My initial reaction, especially when the duo falls into a slinky groove, is to compare this music to the work of the late Joe Zawinul, especially from Weather Report's third album (1973's "Sweetnighter") forward. Both keyboard masters have the ability to play such slinky grooves but, if anything, the good Doctor has a more melodic approach. The way he mixes the acoustic piano with the synths on "Thorns of Life" is so attractive, the sonic colors so vivid. Listen to how the duo pulls away from the abstract opening of "Traffic" and falls into a delightful groove (courtesy of the drums and the deep bass notes from the pianist's left hand).
By the time you reach the last track, the title cut, you've been on quite an "Expedition." Denny Zeitlin sees his role as not only the writing the melodies but also orchestrating them. He has quite an orchestra at his fingertips, managing to veer away from the desire to fill every second with sound. George Marsh is not just the "rhythm section"; he, too, has a melodic side yet he often keeps the music "grounded", allowing the pianist to explore so many different paths. Listen to how the duo enters into "One Song", with the acoustic piano supported by the drums and keyboard bass. It's a pretty piece, smart brush work, quiet background "strings", slowly adding different keyboards but never losing touch with the ballad heart of the music. What makes this album and its pastiche of sounds, noises, and melodies so impressive is that the music is always accessible, always intelligent. You should go on this trip; it's not "novelty" music but the adventures of two musicians who have always pushed beyond the mundane, the tried and true, into the heart of creative music.
For more information, go to www.dennyzeitlin.com and georgemarsh.com.
Here's a track to explore:
On Saturday July 29, the Music Mountain Twilight Series, held at the historic concert hall in Lakeville, CT, presents the Alan Ferber Nonet in concert at 6:30 p.m. Trombonist and composer Ferber organized the Nonet in the early 2000s and the ensemble's first recording came out on Fresh Sounds New Talent in 2005. They have since released three albums, the latest being 2016's "Roots and Transitions" (Sunnyside). Ferber, one of the busiest musicians on the planet, also has issued one big band CD and has another coming later this year.
of Ferber, Scott Wendholt (trumpet), Jon Gordon (alto sax), Jason Rigby (tenor sax), Charles Pillow (bass clarinet), Kris Davis (piano), Nate Radley (guitar), Matt Pavolka (bass), and Jared Shonig (drums). The music they make defies categorization (most people would call it jazz) and Ferber's melodies are so impressive, his arrangements so intelligent, and one can hear so many possible influences, from Sondheim to Brookmeyer to Gil Evans and beyond.
For ticket information, go to musicmountain.org or call 860-824-7126 . 860-824-7626
www.realartways.org or call 860-232-1006.