Showing posts with label Jihye Lee. Show all posts
Showing posts with label Jihye Lee. Show all posts

Tuesday, December 28, 2021

The Rest of the Music that Moved, Soothed, Educated, and Inspired in 2021!

Yes, it's a long list but my belief is that the albums I have chosen are all worth listening to, that they speak to our current world situations, that the music can give us strength to more forward.  Will this complete the job for 2021? Lord no, but all of these are albums I received to review and not ones that I purchased.  Do check these out if you haven't already!  Happy & Healthy New Year!!

Amir El Saffar River of Sound – "The Other Shore" (Outnote Music/ Outhere Records) – Trumpeter, santurist (the santur is a dulcimer), vocalist, composer, and arranger ElSaffar formed River of Sound six years ago to continue his explorations into Maqam, jazz forms, and more.  This 17-piece ensemble (plus guests) includes strings, different percussion instruments, guitar, piano, oud, reeds, brass, and the leader's fascinating wordless vocals.  This is music to savor, to get lost in, to marvel at the possibilities, and float away.  


Miguel Zenón & Luis Perdomo – "El Arte Del Bolero" (Miel Music) – This splendid live duo recording finds the alto saxophonist and his long-time quartet pianist playing six Latin "standards", caressing each melody and imbuing each song with emotional solos.  While some might say that this is good "evening" music, these tunes sure sound great early in the morning when the natural world is awakening.  


Artifacts – "...and then there's this" (Astral Spirits) – Artifacts (flutist Nicole Mitchell, cellist Tomeka Reid, and drummer Mike Reed), all members of Chicago's AACM, paid tribute to their elders on its 2015 debut from which they took their name. Here, they mostly concentrate on original music. One might be surprised how funky much of this music sounds yet there is depth, interplay, powerful melodies, and a sense of playfulness that transcends genres and generations.  


Matthew Shipp – "Codebreaker" (TAO Forms) – 2021 was yet another amazing year for pianist Shipp but this solo piano session ranks among his best ever.  While one can still hear the fire that characterizes his earlier album, Mr. Shipp has been exhibiting a delightful melodic streak of late. His ability to create music that eschews genres and cliches remains one of the strongest factors in Matthew Shipp's creative world.


Joe Lovano & Dave Douglas Sound Prints – "Other Worlds" (Greenleaf Music)  – The music on "Other Worlds" is a delightful mix of well-developed melodies and sparkling solos with a rhythm section (pianist Lawrence Fields, bassist Linda May Han Oh, and drummer Joey Baron) second to none.  Messrs. Lovano and Douglas say their inspiration for the quintet remains the visionary work of Wayne Shorter. No better choice for a blueprint but the music on this release is even more than that. Also, great music to get lost in!


Jared Schonig – "Two Takes Volumes 1 (Big Band) & Volume 2 (Quintet)" (Anzic Records) – Drummer and composer Schonig, one of the busier players on the NYC scene pre-Pandemic, has released a most impressive debut recording; in fact, two recordings.  The Big Band session features eight original compositions , each one arranged by a different (and fairly famous) resident of the Big Apple. The Quintet album features trumpeter Marquis Hill, alto saxophonist Godwin Louis, pianist Luis Perdomo, and bassist Matt Clohesy –– with the exception of the three "Drum Interludes" and an electronically processed "Introduction..." intro to the opening track, the repertoire is the same as on the Big Band disk.  Both are worth owning with the edge going to the exhilarating Quintet date.


Jihye Lee Orchestra – "Daring Mind" (Motema Music) – Ms. Lee, who had a good career in her native South Korea as a singer-songwriter, came to the United States to study at Berklee College of Music and discovered a new voice as a composer of large ensemble.  Her self-funded debut album, "April" was issued in 2017, receiving praise from many fellow musicians and arrangers. "Daring Mind" is a delightful blend of melodies, harmonies, and rhythms that takes musical influences from her native country, mixes that with a healthy dose of Western influences plus Ms. Lee's natural curiosity and creates new and quite fascinating.

Go to https://jihyemusic.com/

Miho Hazama/ Danish Radio Big Band – "Imaginary Visions" (Edition Records) – In 2019, Ms. Hazama took on a new assignment as Chief Conductor of the Danish Radio Big Band and this album bears the first fruits of that new relationship.  She s following in the footsteps of such notable composers, arrangers, and conductors as Thad Jones, Bob Brookmeyer, and Jim McNeely and if this first album with the DRB is any indication, her tenure should be quite productive and enjoyable for fans of large ensemble music.


Dave Holland – "Another Land" (Edition Records) – Master bassist Holland is in the midst of a long and amazing career. This album, which features guitarist Kevin Eubanks and drummer Obed Calvaire, roars, whispers, and rushes forward in a glorious blend of sounds. The opening cut, "Grave Walker", is the funkiest music the bassist has created since his days with Miles Davis's "electric" ensemble.  And the title track is a lovely reminder that guitarist Eubanks can draw one in on the strength of his melodies and improvisations.  I can listen to this music all day and revel in its creativity and joy!


Sam Pilnick's Nonet Project – "The Adler Suite" (OutsideIn Music) – Composer, arranger, saxophonist, educator, and bandleader Pilnick looked to the stars for inspiration as he write the material for his Nonet Project.  Based in Chicago, he spent a number of days composing while visiting the Adler Planetarium and the results are an expansive set of compositions for his little Big Band.  The repertoire display Pilnick's wonder and curiosity and, hopefully, is the beginning of a long, productive, career creating music that transports the listener beyond the mundane.


Tim Hagans & the NDR Big Band – "A Conversation" (Waiting Moon Records) – Like the Amir ElSaffar album listed above, the music on composer, arranger, and trumpeter Tim Hagan's new recording takes its time to unfold. The liner notes tell the reader that the arranger broke the Big Band into a number of different "chat rooms" (my words, not Hagan's) so that the various instrumentalists in each would react and respond to each other. It's a fascinating concept that takes the listener a while to grasp; meanwhile, the intelligent melodies and smashing arrangements draws one in to the music.  


Remy Le Bouef's Assembly of Shadows – "Architecture of Storms" (Soundspore Records) – The second large ensemble album from composer, arranger, and alto saxophonist Remy Le Bouef features nine tracks recorded before the pandemic in 2019 and three recorded in Spring 2021. The composer's splendid ear for melodies and smart harmonies that one heard on 2019's "Assembly of Shadows" album are here as well as is his intelligent arrangements plus sense of rhythmic drive.  This time around, the leader solos on five of the nine tracks and it's a distinct to hear his alto soaring about the ensemble.  


Last but not least....

Roy Hargrove & Mulgrew Miller – "In Harmony" (Resonance Records) – Resonance Records is truly the gift that keeps on giving. Producer and coordinator Zev Feldman scouts the world to find live recordings that are either long out-of-print, concerts recorded for radio, and connoisseur recordings committed to tape by zealous fans.  This splendid two-CD set reminds us how great both these musicians were, how the music created through their sadly short lives was so vital, and how sorely many of us miss them. As always, the liner notes are thorough and entertaining, the sound quality excellent, and the music a pure delight!

Friday, April 2, 2021

The Joys of Spring (Pt 2 – Large Ensemble Edition)

During the pandemic, we have gotten used to seeing and hearing small group performances.  But, here are two classy large ensemble recordings that captured my attention and imagination.

Photo: Hyemi Kim
Originally from South Korea (now living in New York City) composer and arranger Jiyhe Lee came to the United States in 2011 to study at the Berklee College of Music in Boston, MA. In her native land, Ms. Lee had been a fairly popular "indie pop" singer –– within her first year at Berklee, she won the school's prestigious Duke Ellington Prize (she won it again the next year). Over the past decade, Ms. Lee has won numerous awards and commissions, worked with Wynton Marsalis and the Lincoln Center Jazz Orchestra. Her self-released debut album, "April", came out in 2017 and received glowing reviews from the Jazz press.  The pieces on that recording were based on Ms. Lee's  response to a tragedy; the Korean ferry Sewol, which sank en route from Incheon to Jeju, claiming the lives of 304 innocent passengers, most of whom were teenage children. You should listen to her conversation with Jason Crane of "The Jazz Session" as it gives an excellent picture of the composer's career, influences, and more –– go to www.thejazzsession.com/2021/02/17/the-jazz-session-545-jihye-lee/ and pay attention.

Her new album, "Daring Mind" (Motema Music), is a dazzling display of original music, savvy arrangements, and excellent musicianship.  Album one featured Boston-based musicians while this is a NewYork-centric ensemble as befits her move to the City after graduation in 2015.  What stands out throughout the nine-song program are the strong melodies, the excellent section writing, and the emotional strength.  Pieces such as the opener, "Relentless Mind", and "I Dare You" have such a conversational feel with the reeds jousting with the brass and the soloist Quinsin Nachoff (tenor sax) getting both support and push back from underneath on the latter cut. On the former track, it's the rhythm section that pushes the piece forward during the exciting Sean Jones trumpet solo (his playing is  impressive throughout the program) and Alan Ferber's trombone dance.  Listen near the end of the track when the sections interact with drummer Mark Ferber. 

Ben Kono's alto sax leads the way into "Unshakable Mind", a ballad whose lovely opening melody is carried by the reeds until the brass and martial drums enter, causing the piece to turn dark. The insistent rhythmic pulse has the fell of Ravel's "Bolero" but there is much more shading here, quiet moments when bassist Evan Gregor and guitarist Sebastian Noelle carry on a conversation built upon the melody.  Kono returns again later in the piece to create a splendid solo as the intensity inevitably ratchets up to an amazing close.  

There is not a weak track on the album.  "Struggle Gives You Strength" has the feel of a soulful ballad from Burt Bacharach with hints of Aretha Franklin as well as Ashford & Simpson.  The sectional writing is exceptional as their phrases move upwards throughout the first half of Jone's trumpet solo.  "Revived Mind" has a lilting melody, with a traditional feel, played by the flutes and piccolos. The song moves forward over a soulful rhythm with the trombones responding to the trumpets and flute. Trombonist Mike Fahie solos over the rhythm, although it has not changed, feels more South African.  Listen to how the bass trombone and bass clarinet dance on the bottom while the sections sway behind the soloist.  "Why Is That" opens as a torch-y blues tune with going to the reeds and trumpets. The trombones enter and, a moment later, the music gets even more playful.  There are moments where everybody swings –– suddenly, the piece goes into double-time for a fine alto sax solo from Rob Wilkerson.  Jones's solo also starts in double time as the sections converse while the trumpeter proclaims for all the world to hear.

The album closes on a ballad, "GB", that is another spotlight for trumpeter Jones.  After he leads the song in, the reeds share the melody line.  There's a quick transition, with the low brass adding darker colors to the piece while the trumpets and reeds play powerful phrases.  The middle of the song to Jones and the responsive yet supportive piano of Adam Birnbaum . As the trumpet solo continues, the sections reenter pushing Jones to an exciting climax.  When the music continues, two alto saxophones play the melody, the baritone counterpoint, while the brass play long tones. Jones reenters, rising above the sections as the music winds down.  Its a stunning close to a dramatic work.

"Daring Mind" is a musical triumph. In just two recording, Jihye Lee has proven herself to be a mature composer and arranger, creating music that engages both the musicians and the listeners. And one does want to go back and listen because one cannot hear just how well-crafted and played this music is on initial contact.  Spend time with this music because the joy emanating from the sounds will create joy in and around you.   

For more information, go to https://jihyemusic.com/. To hear more and purchase "Daring Mind", go to https://jihyeleeorchestra.bandcamp.com/.  

Here's the band in action in the studio:


Personnel:

Ben Kono: Alto Saxophone
Rob Wilkerson: Alto Saxophone
Quinsin Nachoff: Tenor Saxophone
Jeremy Powell: Tenor Saxophone
Brian Pareschi: Trumpet
Sean Jones: Trumpet
John Lake: Trumpet
Alex Norris: Trumpet
Mike Fahie: Trombone
Alan Ferber: Trombone
Nick Grinder: Trombone 
Mark Patterson: Trombone (replaces N Grinder on two tracks )
Jennifer Wharton: Trombone
Adam Birnbaum: Piano (six tracks)
Haeun Joo: Piano (three tracks)
Sebastian Noelle: Electric Guitar
Evan Gregor: Double Bass
Mark Ferber: Drums


Photo: Chris Lee
I first heard pianist Steve Feifke play in the intimate confines of The Buttonwood Tree in Middletown, CT.  He was part of a quartet with saxophonist Chad Lefkowicz-Brown, drummer Jimmy Macbride, and  bassist Raviv Markowitz.  The group of friends had gotten together to stretch their musical wings and they certainly filled the venue with exciting sounds as well as youthful exuberance.  Feifke, a graduate of New England Conservatory of Music Preparatory School, New York University, and Manhattan School of Music, is busy as a performer, lecturer, composer, arranger, and orchestrator.  Even though he is yet to turn 30 (he will on June 29 of this year), his list of credits is quite impressive. His works have been commissioned by the Mingus Big Band, the Vancouver Symphony Orchestra, and the Manhattan School of Music Jazz Orchestra (to name but three), he's written music for televisions shows such as "Animaniacs", "Comedians in Cars Getting Coffee", and TruTV's "Impractical Jokers". Feifke has performed or recorded with artists such as Randy Brecker, Chad LB, Veronica Swift, and Ulysses Owens Jr.   His debut as a leader, "Peace In Time", was self-released in 2015 and served to show Feifke's skill as a composer and pianist.

"Kinetic" (Outside In Music) is Feifke's fourth album as a leader or co-leader. Besides "Peace In Time", he co-led a date with trumpeter/ vocalist Benny Benack III, a Christmas EP with his Big Band.  There's also a Big Band date from 2019 titled "Prologue" that is only available through Feifke's website (when you download the mp3s, the folder bears the name "The Story Begins" - go figure).  Featuring a similar lineup, the program is totally different, more "standards", but still quite exciting music.  The new album starts off with the title track, a roaring fast-paced original that has tinges of McCoy Tyner in both the arrangement and the leader's rollicking solo spot. Trumpeter Gabriel King Medd is up next and he sparkles before giving way to drummer Ulysses Owens Jr. –– it's his only appearance on the album and he makes the most of driving the band as well as soloing with abandon.

You'll notice that the energy level of this band is quite high. "Unveiling of a Mirror" starts in a relaxed mode but as soon as the soloists hit, the band, powered by drummer Joe Peri and excellent section play, goes for broke.  Even "The Sphinx", which starts in a sultry manner has moments that really rock especially in the first part of saxophonist Lucas Pino's long, delightful, solo.  Powered by drummer Jimmy Macbride, the music grabs ahold and never lets go. Veronica Swift joins the band on the true ballad, "Until The Real Thing Comes Along", a song that beens recorded Erskine Hawkins, Andy Kirk & His Mighty Clouds of Joy, Aretha Franklin, Billie Holiday, Ella Fitzgerald, Frank Sinatra, even Rod Stewart.  Feifke envelops Ms. Swift in mellow tones from the reeds and brass, strummed guitar a la Freddy Green, tinkling piano, and swishing cymbal splashes.  Kudos to all involved as they treat the song and its lyrics (which is credited to five different writers) with respect.

Ms. Swift returns later in the program for a bluesy take on "On The Street Where You Live" –– she sings it fairly straight but the band takes more of a 1940s Duke Ellington approach. In the middle of the second verse, the groove gets smoother, the sections play it cool, and the music careers forward. Solos by Robert Edwards (trombone) and Andrew Gutaukas (bass clarinet) liven up the tune.  Feifke supplies a fascinating arrangement of Thelonious Monk's "Nica's Dream", giving the tune a Latin feel. Both Benack III and the leader play strong solos, especially Fiefke who gets into quite a conversation with Macbride.  "Midnight Beat" offers the ensemble the opportunity to get funky and they do.  Bassist Chmielinski "gets down" with the funky rhythm guitar and "fatback" drums while Alexa Tarantino plays a singing solo that twists and turns above the rampaging rhythms.

A lovely and short chorale of brass and reeds introduces the final track, aptly titled "Closure."   The ballad has a heartfelt melody played by Sam Dillon (tenor sax)whose muscular yet melodic slo fils the middle section of the tune.  Again, the section writing stands out in its orchestral sound as they support Dillon as well as returning to the melody several times.  

For "Kinetic", Steven Feifke takes sounds and songs that feel familiar (some of them are) and shapes then so they sound new, fresh, and alive.  Many of the musicians in the Steven Feifke Big Band are the leader's contemporaries, younger musicians on the cusp of greater popularity who already play with great presence and creativity.  Very strong effort that bodes well for the future.

For more information, go to www.stevenfeifkemusic.com.  

Here's the Band in the studio with Ms. Swift:




Personnel:

Andrew Gould - Alto Saxophone, Soprano Saxophone, Flute

Alexa Tarantino  - Alto Saxophone, Flute

Lucas Pino - Tenor Saxophone, Clarinet, Flute

Sam Dillon - Tenor Saxophone, Clarinet, Flute

Andrew Gutauskas - Baritone Saxophone, Bass Clarinet

Alex LoRe - Alto saxophone (for Ms.Tarantino on "The Sphinx")

Max Darche, John Lake, Benny Benack III, and Gabriel King Medd: Trumpet, Flugelhorn

Robert Edwards, Jeffery Miller, and Armando Vergara - Trombone 

Jennifer Wharton - Bass Trombone

Alex Wintz - Guitar

Steven Feifke - Piano, Composition, Conducting, Arrangements and Orchestrations

Dan Chmielinski - Bass

Jimmy Macbride - Drums on six tracks

Joe Peri - Drums on "Unveiling of a Mirror"

Bryan Carter - Drums on two tracks

Guests: 

Ulysses Owens Jr - Drums on title track

Veronica Swift - Voice on two tracks