Thursday, June 5, 2014
4 By 3s (Part 1)
To my ears, Boom Crane rates high because their approach fuses the 2 styles heard on the albums and makes it sound new and quite. The rhythms section plays with great verve throughout, offering the saxophonist not only a solid foundation but excellent sparring partners. There are a flurry of tempo changes on Bates' "Automatic Vaudeville" and Van Huffel is right on top of each and every one. "More Room" is a group improv, flying in on Bates' percussive yet melodic bass solo (over sympathetic and playful drumming; when the sax enters, the piece makes a subtle shift, picks up in intensity and the driving rhythm section puts its pedal to the medal. The title track, composed by Bates, is a blues shuffle, one that stops for short solos by each member save for the composer. The melody has a strong feel of the blues, like an Ornette Coleman tune from his Atlantic years. A dirge-like feel inhabits Davis's "Slipper Hero" until the piece splinters, opening up for a 3-way conversation that contains several tempo changes, a handsome overarching sax solo and splendid percussion from the composer. Davis's propulsive drums open the doors of "On Equilibrium", a Van Huffel piece that stops-and-starts, with several fine bass riffs and playful drums (at times, displaying a New Orleans feel.)
This music sound as if the trio of Peter Van Huffel, Michael Bates and Jeff Davis - Boom Crane - has a great time playing together. They can all takes chances, all take the lead, all show a percussive side, giving the listener a thrill each time the music moves in a new direction or takes a solo jumps out of the speakers. There are a good many Trio CDs that lose their luster with the car windows - not this one. Play it loud! For more information, go to www.petervanhuffel.com.
Since he's so busy, it probably should come as no surprise that "Gone" (Fresh Sound/New Talent is his debut recording as a leader. With Loren Stillman (alto saxophone) and Russ Meissner (drums), the bassist creates a program that hews more to the Sonny Rollins model; the music swings, the band has great interaction, and songs are vehicles for solos. Stillman contributes 4 of the 7 songs, Ambrosio 2 and Meissner 1. The drummer's composition, "Brahmin", is the only true ballad on the CD, has a lovely melody, and features several strong solos. Meissner's cymbal work shines throughout the program, none more than on Ambrosio's "Matter of Fact" - the way he plays beneath the bass solo makes it stand out more. Stillman's work here is exemplary, caressing the melody with short phrases or held notes. Actually, he play gracefully throughout the recording, whether it's putting an Ornette Coleman spin on "The Proof Is In The Pudding" or more of a Lester Young sweetness to the title track.
"Gone" is more of a cool breeze than a hot wind but that does not mean you should ignore this music. The songs have more of an intimate feel, the mix is neither hot nor loud, and one can tell these musicians really listen to each other (and are not just going the motions). For more information, go to www.davidambrosio.com.