Showing posts with label Christopher Zuar. Show all posts
Showing posts with label Christopher Zuar. Show all posts
Thursday, November 28, 2024
Thanksgiving 2024
Step Tempest was born in December of 2009 in the wake of my weekly arts column, "See! Hear!", published by the Hartford Courant. The Courant had allowed me to use its platform as a home for my blog for several years after they stopped printing my "hard copy" but finally decided to close up access. So, I found blogger.com and indulged my love of music, both recorded and live, ever since. My "addiction" to creative music has been aided by numerous fine publicists and, oddly, by the pandemic of 2020. Musicians were "stuck" at home and many agreed to be interviewed for my radio show on WESU-FM here in Middletown, CT.
While my curiosity has not abated, my time to write has greatly diminished over the past several years. Several surgeries and fractures plus a busy (yet enjoyable) teaching schedule, while not altering my love of reviewing, all that and more have keot me away from this blog. I still read a lot of other writers, listen to numerous podcasts, and enjoy riding in the car with music easing the commute. It's not fair to make artists wait for a review since there are fewer and fewer outlets for positive feedback or reviews of live shows. My promises to promote artists sound thinner as the months fly by.
After I post my "Notable Releases of 2024" column later in December, Step Tempest will go on hiatus. I'll still do the occasional radio show (mostly in the summer) and might find a new home just for the various conversations I have with musicians, composers, and producers. Over the past few years, I have taught a class about music – not "Music Appreciation" but a deeper historical and sociological look at how music often reflects the culture it emanates from. The creative process is where my interest lies more so now than even when, as a young boy, I used to spend nights listening to an old tube radio that pulled in stations up and down the Easter Seaboard, up into Canada, and as far west as Chicago. All kinds of music entered my consciousness and that love of a plethora of genres and sounds has stuck with me.
Stay safe, dear reader, be strong, find your rhythm!
Richard
Enjoy a taste of "Exuberance" from composer & arranger Christopher Zuar and his Orchestra:
Monday, July 29, 2024
In The Presence of Creativity, Beauty, and Joy
(By way of apology, read on.) Christopher Zuar, composer and arranger, released his second album as a leader, "Exuberance" (Tonal Conversations) in May of this year. At the time, I had been listening to the music for a month while recuperating from the first of two fractures. With everything piling up (including student Final Papers), the album kept getting shunted aside. Yet, I kept returning to the music, especially in the quiet morning hours where the only other sounds one hears is the songs of various birds. Now is my chance to tell you this album is one of the best of this year!
First off, who is Christopher Zuar? A native of Long Island, NY, Zuar has been composing since his youth, winning numerous awards. He did his undergraduate work at the New England Conservatory and earned his Masters of Music degree at the Manhattan school of Music. Along the way, he has studied with Jim McNeely, Maria Schneider, and Mike Holober and had his works performed by the WDR Big Band, the Danish Radio Big Band, and the Brussels Jazz Orchestra. He has arranged for artists such as Miho Hazama (a great arranger in her own right), Joel Ross, Theo Bleckmann, and more. His debut recording, "Musings", was issued in 2016 by Sunnyside Records to great critical acclaim. In his music, one can hear traces of the influences of his mentors but also of the 20th Century classical composers he listened to as well as more "popular music" artists.The initial sessions for "Exuberance" took place in August of 2018 but due to numerous complications and the pandemic, did re-commence until three years later (August '21). The project is a partnership with animation filmmaker Annie Beal (they were married in 2022) when both had fellowships to the MacDowell Colony in New Hampshire (go to https://vimeo.com/260899301 to see them at work). By then, they had created Tonal Conversations, an outlet for their creativity. The album is filled with brilliant musical conversations throughout played by an incredible 18-member band (see "personnel" below), many of them who have worked with each other on large ensemble projects. Guests include violinist Sara Caswell who has also shown up on numerous jazz and classical albums over the past few years. Conductor Mike Holober, who had produced Zuar's 2016 album, led the band for the recording sessions.
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| Photo: Maria Baranova |
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| Photo: Maria Baranova |
Vocalist Emma Frank joins the Orchestra for the final track, the song that gives the album its title. The delightful love songs, lyrics by Ms. Beal, talks about how we all need to be nice, even as storms swirl around us as well as inside us. Ms. Frank flows along with the melody with the brass in unison behind her. The ensemble kicks into a higher gear for a hard-hitting alto sax solo courtesy of Dave Pietro followed by a fascinating trumpet spot from Scott Wendholt that actually starts on the powerful side, stays there for several minutes then slows down to reintroduce Ms. Frank to sing "Will you dance with me?/ Will you guide through the crowded floor?/ I will dance with you". The piece rides out on a wordless vocal over the whispering ensemble, a gentle finish to a splendid piece of music and entire album.
Exuberance is defined as "the quality of being full of energy, excitement, and cheerfulness". "Exuberance", the album from the Christopher Zuar Orchestra, is all that and much more, downright joyous. Christopher Zuar is becoming one of the finest composers and arrangers of this time and the future bodes ever-so-well!
For more information, go to www.christopherzuar.com/. To learn more about what Ms. Beal and Mr. Zuar are creating, go to www.tonalconversations.com/. To hear more and to purchase the album, go to https://christopherzuar.bandcamp.com/album/exuberance.
Personnel:
Dave Pietro - Alto/Soprano Saxophone, Piccolo, Flute, Alto Flute
Charles Pillow - Alto/Soprano Saxophone, Flute, Alto Flute, Oboe
Jason Rigby - Tenor Saxophone, Flute, Clarinet
Ben Kono - Tenor/Alto Saxophone, Flute, Alto Flute, Clarinet
Carl Maraghi - Baritone Saxophone, Bass Clarinet
Tony Kadleck - Trumpet, Flugelhorn
Jon Owens - Trumpet, Flugelhorn
Scott Wendholt - Trumpet, Flugelhorn
Matt Holman - Trumpet, Flugelhorn
Matt McDonald - Trombone
Mark Patterson - Trombone
Alan Ferber - Trombone
Max Seigel - Bass Trombone
Pete McCann - Electric/Nylon String Guitar, Banjo, Mandolin, Dobro
Glenn Zaleski - Piano, Fender Rhodes
Drew Gress - Bass
Mark Ferber - Drums
Rogerio Boccato - Percussion
Mike Holober - Conductor
Jason Rigby - Tenor Saxophone, Flute, Clarinet
Ben Kono - Tenor/Alto Saxophone, Flute, Alto Flute, Clarinet
Carl Maraghi - Baritone Saxophone, Bass Clarinet
Tony Kadleck - Trumpet, Flugelhorn
Jon Owens - Trumpet, Flugelhorn
Scott Wendholt - Trumpet, Flugelhorn
Matt Holman - Trumpet, Flugelhorn
Matt McDonald - Trombone
Mark Patterson - Trombone
Alan Ferber - Trombone
Max Seigel - Bass Trombone
Pete McCann - Electric/Nylon String Guitar, Banjo, Mandolin, Dobro
Glenn Zaleski - Piano, Fender Rhodes
Drew Gress - Bass
Mark Ferber - Drums
Rogerio Boccato - Percussion
Mike Holober - Conductor
Featuring:
Sara Caswell - Violin ("Communion" & "Simple Machines")
Max ZT - Hammered Dulcimer ("Simple Machines")
Joe Brent - Mandolin ("Simple Machines")
Keita Ogawa - Percussion ("Simple Machines")
Emma Frank - Voice ("Exuberance")
Sara Caswell - Violin ("Communion" & "Simple Machines")
Max ZT - Hammered Dulcimer ("Simple Machines")
Joe Brent - Mandolin ("Simple Machines")
Keita Ogawa - Percussion ("Simple Machines")
Emma Frank - Voice ("Exuberance")
Listen here to "Communion":
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