Nat Hentoff

wsj.com

It's is tough to take when one of your "heroes" passes, tougher when you admired the person from afar and never reached out. My problem is that I read Nat Hentoff faithfully in the VILLAGE VOICE and in JazzTimes, continually impressed by his writing, his dedication to American music and to freedom and I never told him so. Yes, he infuriated me with some of his positions but his arguments were always well-researched, thoroughly fact-checked, and smartly written.  His phone number - never an email address - was always listed at the bottom of the JazzTimes columns and I never called.

I never called to thank him for his attempts to teach his readers about music, about freedom, about the fragility of our democracy, about the greed rampant in most political entities, about standing up for those and to those we disagree with.  Know all sides of an argument before you uncap your pen, sit at your keyboard, or open your mouth.

And those CANDID recordings from the 1960s!  From Max Roach to Charles Mingus to Cal Massey to Jaki Byard to Cecil Taylor to Booker Little and others, they set a standard for quality that was as hard to replicate as it was to maintain.  Hentoff was the A & R (artists snd repertoire) director and he made sure to chronicle the music he heard at the forefront of the contemporary jazz scene.  Discovering those albums in the 1970s, just as I was exploring the work of the AACM, gave quite an education on how the music grew from its roots in blues, folk music, bebop, into an indescribable genre all its own.  Think about how important it was to hear these stories at the beginning of the 1960s and throughout (and how this music begat the late 20th and early 21st Century works of the late Fred Ho, Public Enemy, Dave Douglas, Jason Moran, Matthew Shipp, Terence Blanchard, Kamasi Washington, Samora Pinderhughes, Kendrick Lamar, and so many more.

Nat Hentoff never backed down, never shied away from unpopular positions, believed fervently in the First Amendment (and the need to understand the entire Constitution of the United States), and fought complacency nearly every day of his life.  Honesty, unflinching honesty, makes enemies but also friends, real friends not sycophants - I should have called Nat Hentoff but never felt I knew what to say other than "thank you!" Do yourself a favor, read one of his books, dig out interviews, check out the recordings he produced, the liner notes he wrote; pay close attention, even when you do not understand.  Certain segments of our society rail about the "lame stream media" yet Mr. Hentoff, often tagged a liberal, was far from lame but an exemplar of what a journalist should be and do.

Yes, thank you!

Here are links to other articles and obits:

www.artsjournal.com/rifftides/2017/01/nat-hentoff-is-gone.html.

www.nytimes.com/2017/01/07/nyregion/nat-hentoff-dead.html.

www.npr.org/sections/thetwo-way/2017/01/08/508786884/prolific-author-and-jazz-writer-nat-hentoff-dies-at-91.

www.villagevoice.com/news/nat-hentoff-legendary-voice-journalist-and-critic-dies-at-91-9543103.

These Are a Few of My Favorite.....(Pt 1)

At the risk of repeating myself from the 10,000th time, what a great year for creative music, Black American Music and contemporary classical music.  I have voted in several polls including the NPR Music Jazz Critics Poll, in which the writers are limited to 10 new releases and 3 Re-issues or Historical releases. If you followed this blog as well as the column/blog published by the Hartford Courant from from 1997-2009, being confined to 13 is not easy for me.

For this post, I'll start with the list for the NPR poll. Next week, I'll get to the ones  that just missed making that list but deserve recognition. Click on the labels to go to pages that tell you more about the albums and more.

J.C. Sanford Orchestra (pictured above) - View From the Inside - Whirlwind Recordings)

Wadada Leo Smith - The Great Lakes Suite - TUM Records - features Henry Threadgill, John Lindberg and Jack DeJohnette (above left).

Darryl Harper - The Need's Got To Be So Deep - HiPNOTIC Records - This could easily have been at the top - the music and the concept are so fresh.

Kavita Shah - Visions - Inner Circle Records - Co-produced by Lionel Loueke, also chosen as my best vocal album of the year. Her show at The Side Door Jazz Club earlier this year was a knock-out.

Hafez Modirzadeh - In Convergence Liberation - Pi Recordings - stunning music from an ensemble that includes ETHEL, trumpeter Amir ElSaffir and the great vocal work of Mili Bermejo.

Arturo O'Farrill & The Afro Latin Jazz Orchestra - The Offense of the Drum - Motema Music - Also my choice for Latin Jazz album of 2014.

Eric Hofbauer Prehistoric Jazz Volumes 1 & 2 - The Rite of Spring + Quintet For The End of Time - Creative Nation Music - Brilliant arrangements of truly classic works by Stravinsky and Messien for the guitarist's top-notch quintet.  (For the Top 10, I only listed "The Rite..." but both are excellent.)

Orrin Evans & The Captain Black Band - Mother's Touch - Posi-Tone Records - Soulful, bluesy, creative and exciting, Mr. Evans struck it rich this year with this ensemble plus his work with Tarbaby.

The David Ullmann 8 - Corduroy - Little Sky Records -  Going back to this CD, I realize just his fresh this guitarist's music is - could easily be higher in the list.

Noah Garabedian – Big Butter and The Eggmen - BJU Records - The music created by this bassist for his debut (!) is quite mature and great fun.

My picks for Historical Albums and/or Reissues include Charles Lloyd – Manhattan Stories (Resonance Records), Jimmy Guiffre 3 & 4 – New York Concerts (Elemental Music) and Charlie Haden/Jim Hall – Live 1990 (Impulse Records).