Despite the snow and ice that attacked Connecticut this week, the concert scene is bursting out like the daffodils. Where to go, what to see, and how adventurous do I want be are the questions one should be asking because the variety listed below is impressive for our fair state.
jazzstl.org
Our list of goodies begins Thursday April 7 when The Side Door Jazz Club presents Dr. Lonnie Smith and his Trio in concert. The good Dr. just released his new album, "Evolution", his return to Blue Note Records after 4 decades. The funky album features his regular guitarist Jonathan Kreisberg plus drummers Jonathan Blake and Joe Dyson sharing the drum duties and a slew of guests including John Ellis (tenor saxophone, bass clarinet, flute), Joe Lovano (tenor saxophone, mezzo soprano saxophone), Robert Glasper (piano), Maurice Brown (trumpet), and Keyon Harrold (trumpet). Smith, a native of Buffalo, NY, spent his youth listening to B-3 masters such as Bill Doggett and Jimmy Smith. His first break came when guitarist George Benson hired him and the band moved to New York City. When he first signed to Blue Note, he also went to work with saxophonist Lou Donaldson. Over the past 30 years as "organ jazz" went in and out of style, Dr. Lonnie Smith played gigs all over the world, recorded for numerous labels (including stints with Kudu, Criss Cross, and Palmetto), and always made audiences feel the groove.
Joining him in Old Lyme will be Kreisberg and drummer Allison Miller. Doors open at 7 p.m. with the first notes at 8 p.m. Call 860-434-0886 for reservations.
Australian-born pianist Matt Baker bring his trio of Darrian Douglas (drums) and bassist Jim Cammack (a mainstay in the Ahmad Jamal since the 1980s) to The Side Door Friday night and they will swing the room with abandon (see the video below). Baker has been in the US since the beginning of the decade and has steadily gained critical notice. His new CD, produced by the very busy Matt Pierson, comes out later this spring. To find out more, go to www.mattbaker.com.au.
The first set begins at 8:30 p.m. Take a closer look and give a closer listen here:
On Saturday, The Side Door welcomes trumpeter and educator Eddie Allen and his excellent Quintet. Allen is a favorite in these parts (the photo on the left comes from the Monday Night Jazz in Bushnell Park) due to his unerring sense of swing and delight in melody. Joining him for the Old Lyme gig will be the youthful Mercedes Beckman (saxophones), Seth Lewis (bass), Jerome Jennings (drums) and the great James Weidman (piano).
They will begin the evening of music at 8:30 p.m. For more information, go to thesidedoorjazz.com.
dmitry mandel photoO
On Friday, Firehouse 12 in New Haven continues its Spring 2016 Concerts Series with OGJB, a new quartet that features Oliver Lake (saxophones), Graham Haynes (cornet), Joe Fonda (bass) and Barry Altschul (drums). Both Mr. Lake and Mr. Altschul are 73 years old but are both playing at the high level they have maintained for the better part of 5 decades. Joe Fonda is everywhere lately, touring with Katie Bull and Michael Musillami while supporting Archie Shepp in his recent NEA Jazz Masters performance. Graham Haynes, the "baby" of the group at 55, has had quite a busy career in the US and overseas combining jazz and electronics, poetry and voice, into fascinating performances and recordings. The band has yet to release an album but just having these 4 musicians in the same room should be quite enjoyable.
OGJB plays 2 sets - 8:30 and 10 p.m. (separate admission to each) - and you can find out more by going to firehouse12.com or calling 203-785-0468.
Composer and arranger Maria Schneider, recently honored with 2 GRAMMYs at this year's ceremony, brings her 19-member Orchestra to the Jorgensen Center for the Performing Arts on the campus of the University of Connecticut this Friday evening at 8 p.m. As of this moment, there are tickets still available (I will check after this is posted and keep you up-to-date.) Honestly and arguably, there is no finer large ensemble in the world than the MSO. The writing is brilliant, arrangements are stunning, and the musicianship superb. For ticket information, go to jorgensen.uconn.eduor call 860-486-6707.
Pianist, composer, and educator Laszlo Gardony returns to The Buttonwood Tree in Middletown on Saturday (4/09) to perform a duo concert with his long-time associate, bassist John Lockwood. Both are impressive improvisors as well as being students of the Great American songbook and the history of Jazz. The Buttonwood P.R. says the duo will be playing originals but, no matter whose songs they play, the music will be well worth listening to.
When one attempts to describe saxophonist Jeff Lederer, the words "exuberant", "dynamic", "elemental", and "fun-loving" come to mind. In concert with the Matt Wilson Quartet and the Honey Ear Trio, he can be and often is ebullient, a Puck-ish character whose approach to the tenor sax knows no limits. In his own groups, Lederer's music blends blues, swing, hymns, gospel, and so much more. He has an affinity for the music and sound of saxophonist Albert Ayler (1936-1970) and has recorded a number of his works as well as dedicating several of his original pieces to the fiery musician.
Lederer's latest recorded adventure (and ensemble), titled "Brooklyn Blowhards" (Little (i) Music), blends his love for Ayler's music (5 of the 14 tracks are Ayler tunes) and sea shanteys - an unlikely match, you say, but ,when played by the octet of Petr Cancura (tenor saxophone), Kirk Knuffke (cornet, slide trumpet), Brian Drye (trombone), Art Bailey (accordion) and the percussion trio of Allison Miller, Stephen LaRosa, and Mr. Wilson (trap drums, ship's bell, chum bucket, chain), this music is so alive. Joining the ensemble on 5 tracks is vocalist Mary LaRose (Lederer's wife) and, on 3 tracks, guitarist Gary Lucas. There are moments when the music sounds like an unhinged Salvation Army Band (before and after the Cancura/Lederer duo on "Black Ball Line" and all throughout "Haul Away Joe") and cuts where the ensemble swaggers or romps with such panache (Ayler's "Heavenly Home" and his classic "Bells"). Check out Matt Wilson's "Dancing Waters", a truly lovely ballad with Ms. LaRose's wordless vocals and Lucas's sparkling dobro, underpinned by the swirling reeds and brass, building to an amazing climax on the power of the drummers, beginning and ending with a short chorale that sounds like a prayer. Lederer's "The Language of Resistance" is a stunning work for the octet, a spotlight for the leader's soprano sax and Bailey's fine accordion work.
Inspired playing abounds throughout the program. Solos by Knuffke and Drye enliven the traditional "Haul on the Bowline" while the spiky slide work of Lucas shines on "Shenandoah." Ms. LaRose leads the way on the raucous take of Ayler's "Island Harvest" capturing the humor of the original version without imitating lyricist and vocalist Mary Parks. The multi-tracked voices on "Shallow Brown" blends sweetly with the dobro, the accordion swells, the martial drumming, and the sway of the horns.
"Brooklyn Blowhards" is serious fun, music that reaches back to music of early America while illustrating how Albert Ayler tapped into traditional musics, making it sound new and "free.' Jeff Lederer, who arranged the entire project, was inspired by the brilliant work of artist Matt Kish, who created "Moby Dick in Pictures - One Drawing for Every Page". Play this loud, let the music ring through the house while raising your glass to the ingenuity and vision of this splendid musician and his mighty band.
The duo of Kristin Slipp (vocals) and Dov Manski (piano, wurlitzer electric piano) have just released their debut CD, "A Thousand Julys", on Sunnyside Records. They met attending the New England Conservatory of Music in Boston and discovered mutual musical interests. Their music is a fascinating blend of standards from the likes of Cole Porter, Jerome Kern and Hoagy Carmichael plus a strong version of Charles Mingus's "Duke Ellington's Sound of Love". The spare arrangements and soft vocals make the lyrics stand out.
Ms. Slipp and Mr. Manski perform this Wednesday (9/25) at Pizzeria Lauretano, 291 Greenwood Avenue in Bethel, a venue beginning to be known for its adventurous programming. The venue's website does not list a time for the show so I would call 203-792-1500 for more information. To check out their upcoming schedule, go to www.pizzerialauretano.com.
Vibraphonist/educator and now author Gary Burton is celebrating his 70th Birthday in style, going on tour. This Thursday (9/26), he and his New Quartet (bassist Scott Colley, drummer AntonioSanchez, and guitarist Julian Lage) land at the Jorgensen Center for the Performing Arts on the campus on the University of Connecticut at Storrs for a 7:30 p.m. show. Earlier this summer, the New Quartet released "Guided Tour" on Mack Avenue Records and, arguably, it's one of Burton's best recordings (that's saying something, considering his 4+ decades as an artist). Every member of the band contributed compositions, including the leader who is not one of the more prolific composers. Burton, who turns 71 next January, also has a new book, "Learning To Listen", a honest look at his career and personal life. Owen McNally of The Hartford Courant conducted a fine and informative interview with the vibraphonist - click here to read it. For ticket information, go to jorgensen.uconn.edu/events/.
It's week #3 for the Firehouse 12 Fall 2013 Concerts Series and one can already tell it's a special season. The series debuted with Gerald Cleaver & Black Host with the David Binney 4 the followed week. In keeping with the theme of ensembles with great drummers (Mr. Cleaver and Nasheet Waits), this Friday (9/27) the spotlight shines on the duo of Larry Ochs (saxophones) and Don Robinson (drums). Mr. Ochs, long a stalwart member of ROVA saxophone quartet, has worked with Mr. Robinson (a resident of San Francisco rarely seen and heard on this coast) for over 2 decades, having first teamed up in 1991 as members of the late saxophonist Glenn Spearman's Double Quartet. They have also worked with bassist Lisle Ellis in the cooperative trio What We Live as well as in Mr. Ochs' Sax and Drumming Core. They have been officially been a performing duo since 2011 with recordings set to be released this Fall.
Larry Ochs and Don Robinson will play 2 sets - 8:30 and 10 p.m. - and you should expect the music will be going in many directions, as befits a pair of great improvisers. For more information, go to firehouse12.com and www.ochs.cc.
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John Surman (soprano sax, baritone sax, bass clarinet, keyboards, acoustic piano and synthesizers), Mike Osborne (alto saxophone, percussion) and Alan Skidmore (soprano sax, tenor sax, drums) formed the trio S.O.S. in 1973 and disbanded in 1976 - during that time, the ensemble produced some glorious noises. A new 2-CD set, "Looking For the Next One" (Cuneiform Records) documents 3 sessions, 2 in the studio from 1974 and 75 and the entirety of the ensemble's July 27, 1974 appearance at the Balver Hoehle Jazz Festival in Balver, Germany.
O, and what a joyous noise this trio could produce. Surman was enamored with his synthesizers and enjoyed blending his trance-like figures (a la Terry Riley) with the sounds of the saxophones. The first CD opens with "News", fading in on a synth loop that Surman plays his electronically-altered soprano over (it's a technique he continues to use). Here, there is a "wah-wah" attachment which links it to the experiments of Miles Davis. That is followed by the trio taking on "Rashied", composed by drummer Rashied Ali. One hears the influence of AACM musicians such as Roscoe Mitchell, Joseph Jarman and others. Drummer Tony Levin joins the trio for 2 tracks from the 1975 studio session. "Q.E. Hall" opens with the drummer playing against a synthesizer loop before Surman adds electric piano behind the boisterous tenor sax solo. The music sounds a bit like early Weather Report, especially beneath Osborne's fiery alto solo. Martial drumming leads in Surman's arrangement of the traditional "The Mountain Road", a Highland jig with the alto trading lies with the twin sopranos of Surman and Skidmore.
The "Live" CD opens with the introduction of the musicians to great applause The audience falls into rhythmic clapping as the synthesizer loop lead-in to "Suite" hushes the crowd. Light percussion accompanies the loops, then electric piano appears in the background and, little by little, the saxophonists enter as the loop drops out. Surman's bass clarinet plays a supporting role as the alto and tenor play the rhythmical melody. The piece changes course numerous times over its 25+ minutes, with the trio swapping lead and supporting roles. Later on, Surman switches to electric piano, Skidmore to drums (quite a solid player) and Osborne creates a roller-coaser of an alto solo. Surman's piano solo utilizes a number of sound-shifting devices before Osborne returns for a soprano sax solo. "Up There", with its bass clarinet rhythm pattern and its genial interactions, may remind some of the World Saxophone Quartet in its early days (interesting, the W.S.Q. did not come into existence until 1977.) With the exception of the classically-inspired "Legends" (composed by Surman) which clocks in at 2:13 (38 seconds of which is applause), the live CD contains 3 fairly long pieces and nary a dull moment.
While John Surman and Alan Skidmore are still quite active, Mike Osborne retired from professional music in 1982 due to issues with mental illness and passed from lung cancer in 2007. Though the three musicians played and recorded together in larger ensembles, up until the release of "Looking For the Next One", the only recording by S.O.S. was their 1975 self-titled Lp on OGUN Records (it's been reissued on CD but is hard to find.) It's great to hear this music, this creative wall-of-sound created in the halcyon days of experimentation, and thanks to Cuneiform Records, available to all to behold. For more information, go to www.cuneiformrecords.com/bandshtml/sos.html.
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